It is me now
Who is the demonAnd yes yes
It is me who is the demonIt is me who everyone
Should fear
(via lifeinpoetry)
It is me now
Who is the demonAnd yes yes
It is me who is the demonIt is me who everyone
Should fear
(via lifeinpoetry)
I’m not searching for my other half because I’m not a half.
I learned that you should feel when writing, not like Lord Byron on a mountain top, but like a child stringing beads in kindergarten — happy, absorbed and quietly putting one bead on after another.
Your name, I will have noticed
on a list collected by an Iraqi census of the dead,
because your name is the name of my own brother,
because your name is the Tigrinya word for “tomorrow,”
because all my life I have wanted a farm,
because my students are 12, because I remember
when my sisters were 12. & I will not
have ever seen your eyes, & you will not
have ever seen my eyes
or the eyes of the ones who dropped the missiles,
or the eyes of the ones who ordered the missiles,
& the missiles have no eyes.
(via lifeinpoetry)
We are bees then; our honey is language.
Now the honey lies stored in caves
Beneath us, and the sound of words
Carries what we have forgotten.
this is how we loved: a knife on the tongue turning / into a tongue.
(via lifeinpoetry)
If I can’t have love, if I can’t find peace,
Give me a bitter glory.
the boy &
his loneliness the boy who finds you
beautiful only because you’re not
a mirror because you don’t have
enough faces to abandon you’ve come
this far to be no one & it’s june
until morning you’re young until a pop song
plays in a dead kid’s room water spilling in
from every corner of summer & you want
to tell him it’s okay that the night is also a grave
we climb out of but he’s already fixing
his collar the cornfield a cruelty steaming
with manure you smear your neck with
lipstick you dress with shaky hands
you say thank you thank you thank you
because you haven’t learned the purpose
of forgive me because that’s what you say
when a stranger steps out of summer
& offers you another hour to live— Ocean Vuong, from “Because It’s Summer,” Night Sky with Exit Wounds
Look at the birds. Even flying
is bornout of nothing. The first sky
is inside you, openat either end of day.
The work of wings
was always freedom, fastening
one heart to every falling thing.—Li-Young Lee, “One Heart,” in Book of My Nights
You never get to the point where you think “I am the adult”, but you do get to the point where you think “I’ve dealt with this before.” The older you get, the higher and higher the percentage is of things you’ve already been through. Have you ever changed a tire? Had a flat tire? Someday, you might, and the next time it happens, you’ll know what to do, since you’ve already done it.